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Transmission in Motion (2026) Ulrike Quade presenting for “Griefbots in Research and on the Stage”

Lecture at Utrecht University – Griefbots in Research and on the Stage

May 2026 Utrecht – The seminar “Griefbots in Research and on Stage” looked at the intersection of grief and technology through the lens of performance and artistic research.

What kind of phenomena are griefbots? What do they do to the process of grief and mourning? How can theater provide a space for investigating this, and make the consequences of such technical innovations relatable and experiential?

The lecture was opened by dramaturg-researcher at UQC Sorcha Ní Bhraonáin who situated griefbots within longer histories of death and technology. Artistic director Ulrike Quade then discussed the making of Roman & ELIZA and the performance’s use of puppetry, scenography, and digital technologies. The final lecture was given by media and performance studies artist-scholar Evelyn Wan (UU) who broadened the discussion of grief beyond bereavement after death, asking whose grief becomes visible, recognizable, and technically supported in the first place.

These three presentations were followed by a conceptual mapping exercise in small groups who were invited to speculatively design what a griefbot could look like, sound like, feel like and what it should never attempt to do. The event was organized by professor and PI of Dramaturgy for Devices Maaike Bleeker and media and performance scholar and project member Laura Karreman who also moderated the event.

For Ulrike Quade Company, technology is integral to our creative process, it enables us to explore new forms of storytelling and artistic research. Together with researchers from technology, science, and the humanities, we explore the creative potential and the social, philosophical, and societal implications of technology.

A report of the lectures and group discussions were written by students both on the D4D and TiM websites – check them out!

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From the Archive: Puppets & Gods in Japan

7 October 2026
Before theatre in Japan, there were puppets, and the puppets were gods. apanese performance was born from ritualistic beginnings where figures of deities were carried out of temples and shrines and into the streets. Ulrike Quade studied inside that tradition; its craft and care for objects today inform her understanding of technology.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2026/10/ulrike-japan-snow-scaled.png 2560 1978 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-10-07 13:42:352026-10-07 14:01:05From the Archive: Puppets & Gods in Japan

Immersive Experience Day for Performing Arts

6 October 2026
What can you concretely do with immersive tech as a cultural organisation? During the Immersive Experience Day for Performing Arts, UQC along with other makers Urland and Studio Marble, presented three immersive performances. Heleen Rouw, Director of CIIIC, also spoke to us about the growing immersive experience indurstry. The event was organised by DEN and Innovation:LAB.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2024/12/Cropped-metahuman.png 1657 2421 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-10-06 17:25:252026-10-07 13:58:34Immersive Experience Day for Performing Arts

IOOI selected for ADRIE

20 September 2026
July 2026 – We are delighted to announce that our consortium Inside Out Outside In (IOOI) has been selected for round 1 of ADRIE – Artistic & Design Research for Immersive Experiences, a grant launched by CIIIC – Creative Industries Immersive Impact Coalition.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2026/09/747753041_18453278104136041_2622648631899447711_n.jpg 853 1280 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-09-20 12:14:292026-09-20 12:18:26IOOI selected for ADRIE

Foto: Julian Maiwald

Ulrike Quade Company

Visual Theatre ∙ Technology ∙ Science ∙ Society

 

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