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DataCARE Festival 2026 with Inclusive AI Lab

June 2026 – artistic researcher Ulrike Quade and dramaturg-researcher Sorcha Ní Bhraonáin were invited to speak at the Data CARE Festival organised by Inclusive AI Lab.

During this session, critical AI researchers, designers, creative technologists and artist were invited to interrogate dominant narratives, and collectively imagine more humane, plural, and livable AI futures—through dialogue, experimentation, and shared acts of world-building.

The session began with a presentations from Theo Gevers and Sezer Karaoglu, co-founders of 3DUniversum, tech startup based at University of Amsterdam. They described a prototype tool they have built which uses deepfake technology to allow licensed therapists to create a conversation between the patient and otherwise inaccessible people through self-controlled video animations.

An artistic perspective on emerging tech

UQC were invited to reflect on this tool through an artistic lens. Vibrant discussions ensued with participants, considering the different contexts of use, ethical implications and potential harms of such a tool. Together we creatively and critically explored what it means to design AI systems for care, presence, and therapeutic connection.

As UQC continues to develop artistic perspectives on emerging technologies, we think about user-machine interactions through dramaturgical, scenographic and puppetry techniques. How might modes of address, object liveness and role-playing help us to consider the responsible design of virtual avatars and bots?

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From the Archive: Puppets & Gods in Japan

7 October 2026
Before theatre in Japan, there were puppets, and the puppets were gods. apanese performance was born from ritualistic beginnings where figures of deities were carried out of temples and shrines and into the streets. Ulrike Quade studied inside that tradition; its craft and care for objects today inform her understanding of technology.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2026/10/ulrike-japan-snow-scaled.png 2560 1978 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-10-07 13:42:352026-10-07 14:01:05From the Archive: Puppets & Gods in Japan

Immersive Experience Day for Performing Arts

6 October 2026
What can you concretely do with immersive tech as a cultural organisation? During the Immersive Experience Day for Performing Arts, UQC along with other makers Urland and Studio Marble, presented three immersive performances. Heleen Rouw, Director of CIIIC, also spoke to us about the growing immersive experience indurstry. The event was organised by DEN and Innovation:LAB.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2024/12/Cropped-metahuman.png 1657 2421 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-10-06 17:25:252026-10-07 13:58:34Immersive Experience Day for Performing Arts

IOOI selected for ADRIE

20 September 2026
July 2026 – We are delighted to announce that our consortium Inside Out Outside In (IOOI) has been selected for round 1 of ADRIE – Artistic & Design Research for Immersive Experiences, a grant launched by CIIIC – Creative Industries Immersive Impact Coalition.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2026/09/747753041_18453278104136041_2622648631899447711_n.jpg 853 1280 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-09-20 12:14:292026-09-20 12:18:26IOOI selected for ADRIE

Roman & ELIZA (2026). Photo: Julian Maiwald

Ulrike Quade Company

Visual Theatre ∙ Technology ∙ Science ∙ Society

 

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