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Adem Gümrükçüler (2025) D4D Festive Opening

D4D Consortium Meeting

How will robots be designed and puppeteered? What kind of strings are attached?  

In June 2026 the Dramaturgy for Devices consortium met to review progress of the overall project. The central question remains how the performing arts can help develop human-robot interaction (HRI) so robots can be integrated better into society. 

At the meeting, we discussed the possibilities offered by improvisation-based robot interaction and the developing phenomenon of ‘robot-puppeteering.’ We also discussed how theater can inform speculation about robots and their future implications. We spoke about how these ideas can be ‘validated’ (testing assumptions and robot behaviours) and ‘activated’ (engaging diverse audiences including youth and digital illiterate). 

What is the purpose of this consortium?

The consortium provides a broader perspective than projects that work on technology from a purely technical angle. It also strengthens artistic research as a reflective counterbalance to technological acceleration. Our participation in D4D foregrounds how exploratory, rehearsal-based and intuition-centered skills and methods from the performing arts can shape interdisciplinary study of emerging technologies. 

This work informs preparations for our 2027 performance ROBOVERSE. What does it mean when a robot is autonomous? What drives the robot when no puppeteer is involved? Is full autonomy even possible?

Read more

From the Archive: Puppets & Gods in Japan

7 October 2026
Before theatre in Japan, there were puppets, and the puppets were gods. apanese performance was born from ritualistic beginnings where figures of deities were carried out of temples and shrines and into the streets. Ulrike Quade studied inside that tradition; its craft and care for objects today inform her understanding of technology.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2026/10/ulrike-japan-snow-scaled.png 2560 1978 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-10-07 13:42:352026-10-07 14:01:05From the Archive: Puppets & Gods in Japan

Immersive Experience Day for Performing Arts

6 October 2026
What can you concretely do with immersive tech as a cultural organisation? During the Immersive Experience Day for Performing Arts, UQC along with other makers Urland and Studio Marble, presented three immersive performances. Heleen Rouw, Director of CIIIC, also spoke to us about the growing immersive experience indurstry. The event was organised by DEN and Innovation:LAB.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2024/12/Cropped-metahuman.png 1657 2421 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-10-06 17:25:252026-10-07 13:58:34Immersive Experience Day for Performing Arts

IOOI selected for ADRIE

20 September 2026
July 2026 – We are delighted to announce that our consortium Inside Out Outside In (IOOI) has been selected for round 1 of ADRIE – Artistic & Design Research for Immersive Experiences, a grant launched by CIIIC – Creative Industries Immersive Impact Coalition.
https://www.ulrikequade.nl/ulqua/wp-content/uploads/2026/09/747753041_18453278104136041_2622648631899447711_n.jpg 853 1280 Sorcha Ní Bhraonáin https://ulrikequade.nl/ulqua/wp-content/uploads/2023/01/logo_strepen_vierkant-365x318.png Sorcha Ní Bhraonáin2026-09-20 12:14:292026-09-20 12:18:26IOOI selected for ADRIE

Photo: Julian Maiwald

Ulrike Quade Company

Visual Theatre ∙ Technology ∙ Science ∙ Society

 

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info@ulrikequade.nl

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